The Crucible Film Essay -- Movie Revier Miller Crucible

The Crucible Film The Crucible an intensely emotional and dramatic record based on the horrific story of the Salem witch trials. The go-ahead and concluding sequences are of great importance in conjuring the regret atmosphere present throughout the story. The director uses various different devices to succeed this. A variety of camera techniques are apply throughout the initiation sequence to grow the mood and involve the audience. Camera techniques are harmonic with lighting effects to culminate this dramatic mise en aspect. I will set down by discussing examples of this. In the village, many close-ups and long shots are used to enhance facial expression and to set the sombre mood. Opening on a zoom shot of Abigails face, an aura of gloom is created by the cold wring scheme and her shadowed expression. The bleak dcor of the room shown in this scene is used to further emphasize the gothic theme of the film. The camera tracks thence tracks he r out into the village, its angle showing the village as she would see it confined and dark. This may be used as a visual fable implying the repressive, narrow-minded nature of the Salem society. A zoom shot is used to show the other village girls simultaneously rush from their houses after Abigail, towards the grim-looking quality ahead. This illustrates Abigail as the girls leader, and the fact that the film opens on her establishes her as a main(prenominal) denotation. As the film changes scene, the camera techniques change likewise. Panning and tracking conjure a sense of tension and chaos, and this effect is teamed with austere colour schemes of purple and blue. The camera is in mid-... ...characters. The first sequence is guaranteed to widen an audiences eyes, getting their heartbeat locomote as the tension builds. After the audience is put through feelings of anxiety, gaiety and awe throughout the middle of the film, the mood is brought b ack down to a funereal sombreness, as the favourite character is brought to an end. But perhaps this scene could be made even more powerful if more counsel was put on the battle for Johns conscience, instead of the infidelity of the central character? Also, I think that an alternative end to the finishing sequence could be more effective. When John is hung, this could be shown from his perspective the onlookers gradually becoming melt as he swung above them. The audience still left to speak up Johns final state, this gives a more powerful and enduring image.